More than 550 people came to Skid Row on a not-so-warm evening in May. Collective excitement was palpable in the air. Studio MOMÉ, co-founded by two artists, collaborators, friends and studiomates, Adam Mostow and Eric Mesplé, opened its doors to the public for the first time. Mostow and Mesplé, each a masterful creator and inventor in his own right, dedicated their grand opening to presenting a group show with artworks ranging from glass and metal sculptures, acrylic and spray paintings, and magical realism light boxes to murals, a taxidermy joystick-controlled sculpture, and ‘technology-mediated’ interactive installations.
Read the interview in full on Art and Cake
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Author: YABNYC
Passionate about people with passions, I write about artists, their lives and artistic journeys; sometimes, I post my musings on exhibitions that speak to me.
I don't believe in critiquing, but I believe in connecting. Knowing someone better hopefully leads to understanding, which also gives rise to a connection (intellectual, emotional or spiritual). People, who establish such a link with an artist, are more likely to want to live with their art. And, not only, often buying an artwork is a gesture of support for the artists we like and encouragement to keep creating.
To quote Swiss curator, artist and art historian Harald Szeemann, "If the personal relationship is taken out, the dimension of intimacy, then the museum and art business gradually starts to become annoying."
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